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The twentieth century saw an growing rejection of beauty by artists and philosophers alike, culminating in postmodernism’s anti-aesthetics. This is regardless of beauty being a central concern of certainly one of postmodernism’s main influences, Friedrich Nietzsche, who argued that the Will to Power was the Will to Beauty. Hedonists usually prohibit and specify the notion of pleasure in various ways so as to keep away from obvious counterexamples. One essential distinction on this context is the difference between pure and combined pleasure. Pure pleasure excludes any type of ache or unpleasant feeling whereas the expertise of mixed pleasure can embody…
